Snacks. Photography! Good times.More of Caleb's work here: http://
Caleb's photography will be on display through February.
Snacks. Photography! Good times.

http://Dustri.al/ & ArtVenue present: CVLT: Ars Moriendi Project Featuring Ultra Guest DJ: GEMINI CAEZAR ! ! ! 8:00-10:00 The Δrs Moriendi Project ∴ Art Show 10:00-1:00 AM CVLT ∴ Dance 8-10:00 ART Reception http://dustri.al/cvlt/am/ new skulls by: Ryan Denman, Gemini Caezar, Adam Hodge, Aaron White, Lex McDermott, Halley Jaye, Robert McElaney and more! Sponsored Narragansett Tasting! FREE BEER! 10-1:00AM CVLT Ignites! Special Guest GEMINI CAEZAR ! ! ! Spinning the best in Modern Electronics Residents ΞL PØSER, PUNKETTΔ, GLΔSS T33TH, IØNNØKX, DJ NΞBULUST Visual Battle! CTRL ΔLT DΞSIGN vs. 0xf8! ΔRT ∞ MUSIC ∞ 06210311 ∞ MΔGIC This is CVLT |
Lot F Gallery presents THREE
OPENING RECEPTIONFRIDAY, FEBRUARY 3, 6 - 8 PM (through March 24)
JOSH MANNIS observing something Olympic and something perfect in the work. where does the palette come from? By Joey Frank February, 2012 The Palette: The colors of the Nadia drawings seem old. The yellow/gold and green and red and black seem institutional, a kind of 1970's European National palette. The Nadia drawings were inspired by gymnast Nadia Comăneci and not the protagonist of Andre Breton's novel Nadja. The video of Nadia's 1976 Olympic feat of perfection on the uneven bars, preserved on YouTube, explains ink tipped mark making. The friction of her uniform moving through space. The movement of her deft pre-sexual athleticism, the colors of ink are similar to the Romanian national uniform stripes running from Nadia's armpit to hip. Her body moves the stripes through the motions before the struggling video camera. As for the painting drawings in this scenario, the white patch of paper becomes a rectangle of white spandex. The video camera hand struggles to record Comăneci. Seeing the white paper of the painted drawings as a swath of spandex, invokes the cloth aspect of the work. All the clothing in the videos is tailored by Mannis himself. It seems like an ethical stance, but why? To evoke the handmade nature of the gymnast uniforms, tailored not only to the specific body but to a set of modest Nationalist standards? The hanging tapestry "The Law" includes a large rectangle of square plaid fabric, maybe a sort of tartan. The same fabric was used to make the pants for the "Zeal for the Law" video. The tartan: wearing it was made illigal in Scotland as an attempt to crush Gaelic culture. When that law was repealed in 1782, the tartan plaid became symbolic national attire. The correlation: tapestry of plaid pants fabric to the white paper as spandex on Nadia Comăneci. The Pallet: The movement of the blond-wigged Mannis evokes the inexhaustible physical prowess of the Olympic gymnast. The physical confrontation in "Zeal for the Law"initially feels like a wrestler squaring off but then takes on the intensity of something more tribal, a war dance. Nationalism and the confidence of coordination are at play. An explaination for the tapestry "The Law" was as an "ancestor totem, or generic sign for an entire tribe or nation." The two symetrical metal objects are like eyes, with the gold chains symbolizing the bondage of a people, but also golden pathways for information from golden eyes. The pallet I am interested in is the makeshift mattress; a servants sleeping rectangle from the middle ages - a straw mat placed on the floor and covered with cloth. This mat, functionally a bed, is a servants place to dream. The dream of the athlete includes service not only to a team or a nation (in the case of the Olympics) but service to a routine of physical movements. The multiplying in the videos reinforce the feelings of a nation coordinated in its movements. But nation of pre-adolecents is by nature unstable and impossible. Italians used to castrate young boys to preserve their high pitched singing voices. But a Nation of castrati could never exist, could never reproduce. A coordinated dance implies a cohisive unity in the thinking of the dancers. Unity of this type implies a certain compliance with the law - but this is more than compliance! it's Zeal! With the law comes the badge, and the medallion dangling from gold chain of this swinger figure implies both an officer of the law and a gold medalist, the perfect example of how the law should be executed. The Olympic gold. Its hard not to see it as nipples to me, as pre-sexual nipples, dormant bitch- tits of the fatty child. These clay sculpted golden bits are the most ancient world aspect of the work. They are not about fertility but about a softness that aspires to either soft milk bearing breasts or strong pectoral muscles. They are a body part ready to bloom in accordance with the Law. View Webite |
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| 450 harrison avenue, boston 02118 wednesday to saturday 12 to 6 pm and by appointment www.anthonygreaney.com |
"RAW hand-picks and spotlights local artistic talent in film, fashion, music, visual art, hair & makeup artistry, and performance art. With artists from all genres in each showcase, RAW events come together to form an amazing one night circus of creativity.
What can you expect when attending RAW Showcase? We screen an independent film (usually a short, webisode or music video), a fashion show from an up-and-coming local designer, a musical performance, an art gallery featuring several independent visual artists, and performance art (comedy/dance/fire dancers, you name it...). You'll get a little taste of everything. Combine all this creativity with drinks, fun, and good company!"


On January 6, 2012, in the artists’ studios at 450 Harrison Street, Corporeal Constructions opens to the public and is on view for just one evening. This show culls from the Master of Fine Arts program at the School of the Museum of Fine Arts, Boston, and the artists in the show reflect various stages in the program. Corporeal Constructions presents artwork that illustrates intangible ideas, experiences, and memories transfigured into physical forms. The sculptures, paintings, and photographs in the show represent the performative act of ideas and memories passing into, through, and out of the body. The result of such influences and processes are evocative images that possess both strong emotion and power. Artists in the show include Huaiyu Chou, Jodie Goodnough, Katrina Majkut, Monica Lynn Manoski, Sarah Pollman, Qing Song, and Ashley Wood.




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